{"id":18210,"date":"2023-03-19T12:12:59","date_gmt":"2023-03-19T11:12:59","guid":{"rendered":"https:\/\/musartedo.com\/?p=18210"},"modified":"2024-07-10T10:53:00","modified_gmt":"2024-07-10T08:53:00","slug":"dj-a-hudebni-producent-steve-aoki","status":"publish","type":"post","link":"https:\/\/musartedo.com\/en\/2023\/03\/dj-a-hudebni-producent-steve-aoki\/","title":{"rendered":"DJ A HUDEBN\u00cd PRODUCENT STEVE AOKI"},"content":{"rendered":"<p>Steve Aoki je na um\u011bleck\u00e9 hudebn\u00ed sc\u00e9n\u011b nep\u0159ehl\u00e9dnutelnou osobnost\u00ed. O jeho hudebn\u00edm c\u00edt\u011bn\u00ed a smyslu pro hudebn\u00ed byznys asi nikdo pochybovat nebude. Proto bude pro n\u00e1s ur\u010dit\u011b zaj\u00edmav\u00e9 zjistit, co Aokiho inspiruje a jak\u00fdm zp\u016fsobem tvo\u0159\u00ed.<\/p>\n<p>Steve Aoki za\u010dal svoji hudebn\u00ed kari\u00e9ru hran\u00edm v hardcore-punkov\u00fdch kapel\u00e1ch a v roce 1996 zalo\u017eil na vysoko\u0161kolsk\u00e9 koleji DIY nahr\u00e1vac\u00ed spole\u010dnost Dim Mak Records. Od t\u00e9 doby se Aoki i spole\u010dnost vyv\u00edjeli a rostli. Aoki se stal superhv\u011bzdou mezi DJi a odehraje v\u00edce ne\u017e 200 vystoupen\u00ed ro\u010dn\u011b. Label je v sou\u010dasn\u00e9 chv\u00edli uzn\u00e1vanou veli\u010dinou v oblasti EDM a podporuje skupiny The Chainsmokers, The Bloody Beetroots, Bloc Party a MSTRKRFT.<\/p>\n<p>Aoki je neust\u00e1le na cest\u00e1ch a podle toho vypad\u00e1 i zp\u016fsob jeho pr\u00e1ce.<\/p>\n<p>&#8220;M\u00e1m v telefonu ulo\u017eenou spoustu r\u016fzn\u00fdch melodi\u00ed a n\u00e1pad\u016f z turn\u00e9,&#8221; \u0159\u00edk\u00e1. &#8220;Je to pro m\u011b dostupn\u00fd zp\u016fsob, jak zhmotnit n\u011bco, co je v m\u00e9 hlav\u011b pom\u00edjiv\u00e9. Kdy\u017e cestuji, jsem st\u00e1le v bl\u00edzkosti nov\u00fdch zvuk\u016f, nov\u00fdch kultur a r\u016fzn\u00fdch um\u011blc\u016f, a to vlastn\u011b ovliv\u0148uje to, \u017ee se moje hudba st\u00e1v\u00e1 glob\u00e1ln\u011bj\u0161\u00ed.&#8221;<\/p>\n<p>Na cest\u00e1ch zpracov\u00e1v\u00e1 Aoki prvn\u00ed n\u00e1pady v Abletonu Live. Ty pak spole\u010dn\u011b s n\u00e1pady, kter\u00e9 jsou nazp\u00edvan\u00e9 v telefonu, realizuje ve sv\u00e9m nahr\u00e1vac\u00edm studiu The Neon Future Cave.<\/p>\n<p>&#8220;Kdy\u017e se objev\u00ed n\u00e1pad, kter\u00fd funguje, za\u010dnu stav\u011bt bic\u00ed a syntez\u00e1tory. P\u0159id\u00e1v\u00e1m r\u016fzn\u00e9 n\u00e1stroje, kter\u00e9 mohou rozvinout z\u00e1kladn\u00ed kostru skladby nebo tracku,&#8221; vysv\u011btluje.<\/p>\n<p>Jakmile je z\u00e1kladn\u00ed my\u0161lenka hotov\u00e1, Steve za\u010dne p\u0159em\u00fd\u0161let o mo\u017en\u00fdch spolupracovn\u00edc\u00edch, kte\u0159\u00ed by se pro danou skladbu hodili. I kdy\u017e je label Dim Mak zn\u00e1m\u00fd, Aoki \u0159\u00edk\u00e1: &#8220;Nakonec z\u00edsk\u00e1m jen 25 procent spoluprac\u00ed, kter\u00e9 chci. Oslovuji mnoho a mnoho um\u011blc\u016f a neust\u00e1le to d\u011bl\u00e1m znovu a znovu, proto\u017ee r\u00e1d pracuji v mnoha \u017e\u00e1nrech.\u201d<\/p>\n<p>Aoki r\u00e1d spolupracuje a to ovlivnilo i charakter jeho nahr\u00e1vac\u00edho studia v Las Vegas. Studio Neon Future Cave bylo vytvo\u0159eno jako inspirativn\u00ed prostor, kter\u00fd snadno pojme n\u011bkolik hudebn\u00edk\u016f. Jeho z\u00e1kladem je syst\u00e9m Slate Raven se t\u0159emi obrazovkami.<\/p>\n<p>Slate Raven je zn\u00e1m\u00fd sv\u00fdmi mo\u017enostmi dotykov\u00e9 obrazovky. \u201cVyzkou\u0161el jsem ho a nakonec jsem ho nepou\u017e\u00edval,&#8221; p\u0159izn\u00e1v\u00e1 Aoki. &#8220;Spoust\u011b lid\u00ed se to l\u00edb\u00ed, ale pro m\u011b je to jen v\u011bc n\u00e1zoru. Jeho mo\u017enosti dotykov\u00e9 obrazovky nevyu\u017e\u00edv\u00e1m.&#8221; P\u0159esto je Aoki ze syst\u00e9mu st\u00e1le une\u0161en\u00fd: &#8220;L\u00edb\u00ed se mi kv\u016fli estetice m\u00e9ho studia. Chci, aby moje studio vypadalo futuristicky.&#8221;<\/p>\n<p>Krom\u011b vzhledu jde tak\u00e9 o ergonomii. &#8220;L\u00edb\u00ed se mi, \u017ee samotn\u00e9 studio umo\u017e\u0148uje, aby v n\u011bm pracovalo v\u00edce producent\u016f najednou.\u201d Syst\u00e9m Slate Raven m\u00e1 t\u0159i obrazovky, na dvou z nich pracuje Steve a t\u0159et\u00ed je ur\u010den\u00e1 pro spolupracuj\u00edc\u00ed hudebn\u00edky nebo studiov\u00e9 in\u017een\u00fdry.<\/p>\n<p>Aoki se jako teenager pono\u0159il do DIY hardcore-punkov\u00e9 sc\u00e9ny v Santa Barba\u0159e, kde nav\u0161t\u011bvoval univerzitu. Jak s\u00e1m vysv\u011btluje, bylo to obdob\u00ed, kter\u00e9 formovalo jeho p\u0159\u00edstup k hudb\u011b: &#8220;Hlavn\u00ed v\u011bc, kterou jsem se v t\u011bchto \u0161koln\u00edch kapel\u00e1ch nau\u010dil, je, \u017ee se sejdete s kamar\u00e1dy, d\u011bl\u00e1te hudbu a vz\u00e1jemn\u011b se inspirujete. Zde jsem se nau\u010dil t\u00fdmov\u00e9 pr\u00e1ci, abychom spole\u010dn\u011b dos\u00e1hli ur\u010dit\u00e9ho c\u00edle&#8221;<\/p>\n<p>P\u0159esun z role v kapele do role producenta ale vy\u017eaduje jinou mentalitu. &#8220;M\u00edsto toho, abyste se spol\u00e9hali na n\u00e1pady ostatn\u00edch, za\u010dnete b\u00fdt sob\u011bsta\u010dn\u00ed. Nau\u010d\u00edte se m\u00e9n\u011b pochybovat o sob\u011b,&#8221; \u0159\u00edk\u00e1 Aoki. &#8220;M\u016f\u017eete se opravdu spol\u00e9hat jen sami na sebe. A \u010d\u00edm v\u00edc jsem se spol\u00e9hal s\u00e1m na sebe a \u010d\u00edm v\u011bt\u0161\u00ed nez\u00e1vislost a sebed\u016fv\u011bru jsem v sob\u011b nal\u00e9zal, t\u00edm l\u00e9pe se mi hudba d\u011blala. Vlastn\u011b se mi takov\u00fd p\u0159\u00edstup l\u00edb\u00ed mnohem v\u00edc a l\u00edb\u00ed se mi, \u017ee m\u00e1m nad v\u0161\u00edm kontrolu.\u201d<\/p>","protected":false},"excerpt":{"rendered":"<p>Steve Aoki je na um\u011bleck\u00e9 hudebn\u00ed sc\u00e9n\u011b nep\u0159ehl\u00e9dnutelnou osobnost\u00ed. O jeho hudebn\u00edm c\u00edt\u011bn\u00ed a smyslu pro hudebn\u00ed byznys asi nikdo pochybovat nebude. Proto bude pro n\u00e1s ur\u010dit\u011b zaj\u00edmav\u00e9 zjistit, co Aokiho inspiruje a jak\u00fdm zp\u016fsobem tvo\u0159\u00ed. Steve Aoki za\u010dal svoji &hellip; <\/p>","protected":false},"author":2,"featured_media":18214,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","footnotes":""},"categories":[31],"tags":[],"class_list":["post-18210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","pmpro-has-access"],"acf":[],"_links":{"self":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/comments?post=18210"}],"version-history":[{"count":3,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18210\/revisions"}],"predecessor-version":[{"id":18213,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18210\/revisions\/18213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/media\/18214"}],"wp:attachment":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/media?parent=18210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/categories?post=18210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/tags?post=18210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}