{"id":18620,"date":"2023-08-19T14:31:14","date_gmt":"2023-08-19T12:31:14","guid":{"rendered":"https:\/\/musartedo.com\/?p=18620"},"modified":"2023-08-19T14:48:32","modified_gmt":"2023-08-19T12:48:32","slug":"7-tipu-jak-vytvorit-zajimavy-track","status":"publish","type":"post","link":"https:\/\/musartedo.com\/en\/2023\/08\/7-tipu-jak-vytvorit-zajimavy-track\/","title":{"rendered":"7 TIP\u016e, jak vytvo\u0159it zaj\u00edmav\u00fd track"},"content":{"rendered":"

Jsem si v\u011bdom, \u017ee kdy\u017e nap\u00ed\u0161u zaj\u00edmav\u00fd, riskuji, \u017ee t\u00edm odrad\u00edm spoustu za\u010d\u00ednaj\u00edc\u00edch nebo pokro\u010dil\u00fdch producent\u016f a producentek od dal\u0161\u00edho \u010dten\u00ed. Ka\u017ed\u00fd chce vytvo\u0159it hitov\u00fd track a co je mezi t\u00edm, jej nezaj\u00edm\u00e1. Nicm\u00e9n\u011b tajemstv\u00ed, jak napsat hit, nikdo p\u0159esn\u011b nezn\u00e1 a p\u00edse\u0148 se m\u016f\u017ee st\u00e1t hitem i d\u00edky jin\u00fdm vlastnostem, ne\u017e jsou ty hudebn\u00ed. Napsat zaj\u00edmavou a poslucha\u010dsky vd\u011b\u010dnou hudbu je daleko realisti\u010dt\u011bj\u0161\u00ed c\u00edl. Kdy\u017e toto um\u011bn\u00ed ovl\u00e1dnete, m\u016f\u017eete se st\u00e1t \u017e\u00e1dan\u00fdm producentem v mnoha hudebn\u00edch odv\u011btv\u00edch. A m\u016f\u017eete vykro\u010dit i ke sv\u00e9mu prvn\u00edmu hitu.<\/strong><\/p>\n

Zde uv\u00e1d\u00edm 7 z\u00e1kladn\u00edch tip\u016f, nad \u010d\u00edm pracovat p\u0159i budov\u00e1n\u00ed nov\u00e9 skladby nejd\u0159\u00edve a nejv\u00edce.<\/h4>\n

1. Nesna\u017ete se vytvo\u0159it hned ze za\u010d\u00e1tku sv\u016fj prvn\u00ed hit nebo \u201cnejlep\u0161\u00ed\u201d skladbu sv\u00e9ho \u017eivota. Sna\u017ete se sp\u00ed\u0161 tvo\u0159it hodn\u011b. V\u011bci nemus\u00ed b\u00fdt hned dokonal\u00e9, ale m\u011bjte na pam\u011bti, \u017ee s ka\u017edou novou skladbou se posunete v\u00fdrazn\u011b kup\u0159edu. A toto prvn\u00ed, ale i pozd\u011bj\u0161\u00ed st\u00e1dium va\u0161eho um\u011bleck\u00e9ho \u017eivota, je velmi d\u016fle\u017eit\u00e9. Je pln\u00e9 objev\u016f, experiment\u016f, omyl\u016f a d\u00edl\u010d\u00edch \u00fasp\u011bch\u016f. Nenechte si toto v\u0161e vz\u00edt ro\u010dn\u00edm \u201cpilov\u00e1n\u00edm\u201d jedn\u00e9 skladby.<\/h4>\n

2. P\u0159i budov\u00e1n\u00ed skladby v\u011bnujte nejv\u011bt\u0161\u00ed pozornost hudebn\u00edmu obsahu. Melodie spole\u010dn\u011b s textem, akordick\u00fd doprovod, basov\u00e1 linka a rytmick\u00e1 slo\u017eka, kterou tvo\u0159\u00ed z\u00e1kladn\u00ed bic\u00ed n\u00e1stroje, hraj\u00ed ve skladb\u011b prim\u00e1rn\u00ed a naprosto nejv\u011bt\u0161\u00ed d\u016fle\u017eitost. Kdy\u017e je skladba zaj\u00edmav\u00e1 p\u0159i pou\u017eit\u00ed t\u011bchto n\u011bkolika z\u00e1kladn\u00edch kompozi\u010dn\u00edch prvk\u016f, m\u00e1te vyhr\u00e1no.<\/h4>\n

3. Zp\u011bv je nejd\u016fle\u017eit\u011bj\u0161\u00edm kompozi\u010dn\u00edm prvkem ve vok\u00e1ln\u00ed hudb\u011b a vok\u00e1ln\u00ed hudba hraje v sou\u010dasn\u00e9m hudebn\u00edm sv\u011bt\u011b nejv\u011bt\u0161\u00ed roli. T\u00e9m\u011b\u0159 v\u0161echny glob\u00e1ln\u011b \u00fasp\u011b\u0161n\u00e9 skladby jsou vok\u00e1ln\u00ed. Studium p\u011bveck\u00fdch a v\u00fdrazov\u00fdch technik m\u00e1 v\u00fdznam nejen pro zp\u011bv\u00e1ky samotn\u00e9, ale i pro hudebn\u00ed producenty, i kdy\u017e nezp\u00edvaj\u00ed. Hudebn\u00ed producent by m\u011bl um\u011bt v\u00e9st vokalistu k co nejlep\u0161\u00edmu v\u00fdkonu, m\u011bl by um\u011bt sd\u011blit, co chce. A m\u011bl by zn\u00e1t mo\u017enosti vok\u00e1lu. Nehled\u011b na to, \u017ee n\u011bkter\u00e9 techniky zdvojov\u00e1n\u00ed a vrstven\u00ed vok\u00e1l\u016f, tvo\u0159en\u00ed harmoni\u00ed apod. tyto znalosti p\u0159\u00edmo vy\u017eaduj\u00ed.<\/h4>\n

4. V\u011bnujte velmi velkou pozornost harmonick\u00e9 slo\u017ece va\u0161\u00ed skladby – to jest akord\u016fm ve v\u0161ech podob\u00e1ch. Akordy m\u016f\u017eete vytv\u00e1\u0159et r\u016fzn\u00fdm zp\u016fsobem. Nejsou to jen najednou zn\u011bj\u00edc\u00ed t\u0159i t\u00f3ny obda\u0159en\u00e9 n\u011bjak\u00fdm zvukem. Producenti by m\u011bli techniky tvorby akordick\u00e9ho doprovodu zn\u00e1t a st\u00e1le velmi pe\u010dliv\u011b a d\u016fkladn\u011b studovat. To jim umo\u017en\u00ed vytv\u00e1\u0159et zaj\u00edmav\u011b zn\u011bj\u00edc\u00ed souzvuky je\u0161t\u011b d\u0159\u00edve, ne\u017e za\u010dnou p\u0159em\u00fd\u0161let nad t\u00edm, jak\u00fd n\u00e1stroj je bude hr\u00e1t. Dob\u0159e koncipovan\u00fd harmonick\u00fd rozvoj, a to nejen z pohledu t\u00f3n\u016f, ale i struktury a rytmu, bude dob\u0159e zn\u00edt na klav\u00edr, kytaru anebo syntez\u00e1tor. To v\u00e1m pak umo\u017en\u00ed rozs\u00e1hlej\u0161\u00ed a zaj\u00edmav\u011bj\u0161\u00ed vyu\u017e\u00edt\u00ed tohoto harmonick\u00e9ho modelu v pr\u016fb\u011bhu cel\u00e9 skladby.<\/h4>\n

5. Melodie, akordy a basov\u00e1 linka mus\u00ed v\u017edy tvo\u0159it zaj\u00edmav\u00fd harmonick\u00fd, melodick\u00fd a rytmick\u00fd celek. Zp\u016fsob, jak tyto kompozi\u010dn\u00ed prvky mezi sebou komunikuj\u00ed v\u017edy rozhoduje o tom, jestli bude skladba zaj\u00edmav\u00e1 pro ostatn\u00ed poslucha\u010de.<\/h4>\n

6. Nepou\u017e\u00edvejte p\u0159i budov\u00e1n\u00ed skladby hardware nebo pluginy na \u00fapravu zvuku. M\u00e1m na mysli ekvaliz\u00e9ry, kompresory, satur\u00e1tory apod. Ztr\u00e1c\u00edte zbyte\u010dn\u011b \u010das \u00fapravou n\u011b\u010deho, o \u010dem vlastn\u011b ani je\u0161t\u011b nev\u00edte, jestli to ve skladb\u011b nakonec pou\u017eijete, jak\u00fdm zp\u016fsobem a v jak\u00e9m n\u00e1stroji. Pou\u017eit\u00e9 n\u00e1stroje a struktura skladby mus\u00ed dob\u0159e fungovat u\u017e p\u0159ed t\u00edm, ne\u017e za\u010dnete uplat\u0148ovat techniky souvisej\u00edc\u00ed sp\u00ed\u0161e s mixem sklady ne\u017e s jej\u00edm aran\u017em\u00e1. V\u00fdjimku tvo\u0159\u00ed samoz\u0159ejm\u011b pluginy nebo hardware, kter\u00fd pou\u017e\u00edv\u00e1me pro sound design.<\/h4>\n

7. Experimentujte s barvou zvuku, a to op\u011bt p\u0159edev\u0161\u00edm u nejd\u016fle\u017eit\u011bj\u0161\u00edch kompozi\u010dn\u00edch prvk\u016f jako jsou melodie (vok\u00e1ly nebo lead), harmonie (akordy), basov\u00e1 linka, vedlej\u0161\u00ed melodie, back vok\u00e1ly a rytmick\u00e1 slo\u017eka. Jsou to toti\u017e ty skladebn\u00e9 prvky, kter\u00e9 budou v tracku nejv\u00edce sly\u0161et. Proto v\u0161e, co zde ud\u011bl\u00e1te, m\u00e1 pro celkov\u00e9 vyzn\u011bn\u00ed skladby nejv\u011bt\u0161\u00ed v\u00fdznam. Barva zvuku m\u00e1 pochopiteln\u011b zcela z\u00e1sadn\u00ed v\u00fdznam pro hudebn\u00ed skladbu a rozhoduj\u00edc\u00edm zp\u016fsobem ovlivn\u00ed nejen celkov\u00e9 vyzn\u011bn\u00ed skladby, ale i jej\u00ed \u017e\u00e1nrov\u00e9 za\u0159azen\u00ed, n\u00e1ladu a i to, zda skladba bude zn\u00edt zastarale nebo modern\u011b.<\/h4>\n

Toto v\u0161e a mnohem v\u00edce pochopiteln\u011b prob\u00edr\u00e1me i na na\u0161ich kurzech hudebn\u00ed produkce. M\u00e1te-li z\u00e1jem d\u016fkladn\u011b proniknout do hudebn\u00edho sv\u011bta a nau\u010dit se tvo\u0159it opravdu zaj\u00edmav\u011b, registrujte se na na\u0161e kurzy. Slibuji v\u00e1m, \u017ee objev\u00edte sv\u011bt, o kter\u00e9m jste nem\u011bli ani tu\u0161en\u00ed.<\/h4>","protected":false},"excerpt":{"rendered":"

Jsem si v\u011bdom, \u017ee kdy\u017e nap\u00ed\u0161u zaj\u00edmav\u00fd, riskuji, \u017ee t\u00edm odrad\u00edm spoustu za\u010d\u00ednaj\u00edc\u00edch nebo pokro\u010dil\u00fdch producent\u016f a producentek od dal\u0161\u00edho \u010dten\u00ed. Ka\u017ed\u00fd chce vytvo\u0159it hitov\u00fd track a co je mezi t\u00edm, jej nezaj\u00edm\u00e1. Nicm\u00e9n\u011b tajemstv\u00ed, jak napsat hit, nikdo p\u0159esn\u011b … <\/p>","protected":false},"author":2,"featured_media":18627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pmpro_default_level":"","footnotes":""},"categories":[31],"tags":[],"class_list":["post-18620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","pmpro-has-access"],"acf":[],"_links":{"self":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/comments?post=18620"}],"version-history":[{"count":6,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18620\/revisions"}],"predecessor-version":[{"id":18626,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/posts\/18620\/revisions\/18626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/media\/18627"}],"wp:attachment":[{"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/media?parent=18620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/categories?post=18620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musartedo.com\/en\/wp-json\/wp\/v2\/tags?post=18620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}